![]() ![]() ![]() Although it seems a bit counterintuitive, if you think about it, it's pretty logical. But be careful, contrary to what you might think, the longer the pre-delay time, the closer the signal seems to be. ![]() On the other hand, this setting directly affects the sensation of distance between the listener and the signal producing the reverb. Thus, a long pre-delay suggests a large room while a shorter pre-delay hints at a smaller space. Why is pre-delay so important during mixdown? Well, among other things, pre-delay provides information to the listener about the size of the room. But there's no need to rack your brains about it, since this difference will have only a very slight impact on the end result. Do note however that, depending on the plug-in, this setting adjusts the time between the source signal and the reverb as a whole or only between the source and the diffused sound field. For those of you who don't know what I'm talking about, here's the short version: pre-delay is the parameter that determines the elapsed time between the direct and reverberated sound, usually expressed in milliseconds. ![]()
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